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In the midst of all the discussion about driverless autos, Audi has quite recently revealed a lustworthy shooting-brake idea that can't arrange espresso or pilot itself through a drive-through. It's known as the PB18 e-tron, and it's gone for the well off participants at the current week's Pebble Beach celebrations who purchase quick autos and don't much think about the five levels of robotization. The PB18, outlined in Audi's new studio in Malibu, California, is a Level Zero auto. Audi engineers gave it that moniker, denoting its appear differently in relation to all the self-driving pods that have been demonstrated of late. With squat extents, an almost upright glass liftgate, and wedge-molded entryways, the PB18 mixes 1970s futurism—think Marcello Gandini's Lamborghini Marzal and Pelle Petterson's Volvo P1800ES—with an electric powertrain propelled by Audi's R18 e-tron LMP1 model. In an interesting answer for an auto intended for both road and tra...

Lebanese narrative movie producer Cyril Aris turns the camera on his family for this contemplation on truth, love and lies despite ailment and demise. A feeble old man's delicate heart must be ensured no matter what in The Swing (Al Marjouha), a low-spending plan yet high-affect narrative in which Lebanese executive Cyril Aris accounts an irritating story from his family. The Aris patriarch, Antoine, is 90 years of age and his heart is powerless, so nobody sets out to reveal to him that one of his grown-up kids has passed on abroad. While everybody stresses over Antoine's wellbeing, few appear to see that his better half of 65 years, Viviane, experiences a twofold blow, as she needs to process the demise of her little girl, and do as such alone and peacefully. Shot on the fly and with little enthusiasm for feel, this is the sort of close picture that charms simply based on what it uncovers about the agony and the unpredictability of the human experience. This Karlovy Vary world...